Jul 1, 2009
May 15, 2009
Re-reading Gandhiji’s Experiments with Truth
The greatness of the man was his simplicity. I couldn’t help thinking of the advertisement in Dooradarshan promoting Gandhian values as I was reading the “My Experiments with Truth” the second time. Here was the man who gave India and the world at large, some of the potent non-violent tools of political struggle and a generation later, he seems to have vanished out our mind-space, except for some passing reference in school textbooks. I don’t even remember a lesson on Gandhiji in my school days though there was a lesson on a farmer going to meet Vladmir Lenin and extolling the simplicity of his life in our Malayalam reader. The left always had imaginative ways of using the school curriculum to inculcate their core values.
I did have a previous attempt at reading the book. Valipachi (Maternal grandfather) had a decent library at home. After school and hostel closed for summer vacations I would be at Najarakattu ( Maternal home) till my parents travel back from Vadakara or Tirur in north Kerala where Bapachi would be posted. One of the standard assignments that English public schools of yore had was to learn two English words daily during vacations. There wasn’t any active monitoring of this but Muvattupuzha being a place I didn’t have any friends and most of my cousins being much elder to me I started harking on Valipachi’s library.
My Experiments with Truth was a part of the attempt to learn new words . I didn’t traverse beyond the one-third of the book during that vacation –from eight to ninth standard. But an episode about Gandhiji’s childhood attempts at eating meat and how out of guilt, he confessed to his father remained in my memory for a long time. There was something sacred about that reading I remember. I would do it only after a bath in the morning and in the large cool drawing room of the house , it felt like I was touching a part of our history. Lolita from Valiapachi’s Presidency days did tempt me, but I don’t remember reading it until I was in pre-degree. Probably one of the few who has read a grandfather’s copy of the timeless classic that got sexuality into mainstream publishing.
In Gandhiji the private and public experiences came together in such beautiful combination that it was difficult to distinguish them. For him there was no political struggle without the personal. All the major political expressions that Gandhi founded came out of his personal quest to refine himself and find the true meaning of life. Satyagraha, Non-violence and Civil Disobedience owes it to a constant process of spiritual distillation that Gandhi practiced throughout his life that the essential moral timbre for these tools was built-in from his life experiences. In-fact for Gandhiji, Satayagrha – the quest for truth was a more a personal philosophy than a political tool. The origin and practice of it is captured vividly in the book Satyagraha about his period in South Africa and portrayed by Rajat Kapur in the film “ The Making of Mahatma” directed by Shyam Benegal.
Congress did have a tryst with Civil Disobedience that was not as effective and bordered on anarchy before Gandhi started to drive the national movement. For him the means was as important as the end and Gandhi would resort to a fast to reset it in the true course. A lesser soul would have winked at minor transgressions, but not Gandhi. He always looked at them as opportunities to strengthen the moral fabric.
Gandhiji approach to politics and religion was another facet that set him miles ahead of his time. Coming from a strong Vaishnaviate tradition , he believed that faith was an essential part of the political landscape of the sub-continent. Recognition of the cultural and sociological identities of Hinduism, Isalm and other religions was the primary to bringing the nation together. His personal view on religion was not very scriptural or traditional and tempered by a rational view of practices taking only the good ones. Though he strongly supported the revisionist causes, Gandhiji understood the religion was so ingrained in the Indian psyche that it was not possible to have a strong national foundation by ignoring them.
This view strongly contrasted with the Nehuru’s secular ideas that dominated the politics of the young nation. There was a sustained campaign to wipe religious symbols from all aspects of public life. Modern historians point to this persistent attempts at removing religiosity to be the prime reason for the strengthening of right wing parties from the late eighties. Religion is so elemental to the nation’s genetic make-up and it was foolhardy to think that it would go away if it didn’t find a legitimate expression. Rather it hoarded in national consciousness like virus that is subdued through induced medication and comes out with destructive force. In retrospect Indian’s early leaders should have co-opted religion into our constitution in more holistic ways as Gandhiji wanted it. This would have set the nation on totally different trajectory.
Nov 12, 2008
Dec 4, 2007
Nov 8, 2007
poster, brands and some jagada
dudu: janis joplin, poison. Now in Advertising
neo: doors, romeo. Now in Automobiles
red: allan parsons project, weed. Now in : s/w
Subject: nice poster on the roof
------------------------
this is a poster on the roof of the smoking room of infosys bangalore.. thats dosent concern the 2 any wayz......

way to go guyzz............
----------
From: Dudu
hi
fcuk infosys. this is the smoking room of everest advertising, mumbai.
u think IT guys can think like this :-)
red - no offence bcoz i haven't considered u as one IT guy.
cheers
dudu
----------
From: red
well........absolutely not ...... i don't consider myself as a part of any group let alone IT... but there indeed is a lot of crap sitting in there as creative czars in advertising as if they were chosen by god almighty......
i am starting to think that there is a big ethical question in advertising in pushing stuff people don't need. You probably have heard about Naomi Klien http://en.wikipedia.org/wiki/No_Logo
----------
From: Neo
I fully agree with u both u guys. According to the practical skeptic like me i feel that a person views himself or herself through others' perceptions in society and in turn he or she gains identity and is the result of the concept in which we learn to see ourselves as others do . ( no offense dude)
This begins at an early age when we are young (gcda days) and continues throughout the entirety of a person's life.
One might never stop modifying their self unless all social interactions are ceased . They might then put forward an influential summary of their perspective.
so for me IT is only learning some abrevations and jargons
and Branding is selling the art of learning how to sell stuff not required to layman.
chill
Neo
----------
From: red
Great Neo........I bet middle east has turned you into a philosopher ....that is Sartre and Existentialism at its best ...........see the excerpts from http://en.wikipedia.org/wiki/Existentialism
The Gaze
Sartre believed that beings possess the power to look at themselves and at another or an object, which is to use one's mind to look at the person in static. This concept of "looking" and the power to look, is referred to as The Gaze. This destroys an object's subjectivity. The thing becomes an "in itself" or an object. Sartre stated that this form of consciousness was used quite often in inter-personal relationships. People place meaning onto what other people think of them rather than what they think of themselves. This process of radically re-aligning this meaning from The Gaze onto one's own being is what leads to periods of so-called "existential angst".
Being for others
Sartre believed that people who cannot embrace their freedom seek to be "looked at," that is, to be made an object of another's subjectivity. This creates a clash of freedoms whereby person A's being (or sense of identity) is controlled by what person B's thoughts about him are.
----------
From: Dudu
i don't agree with red neither agree with naomi klein and the no logo.
it is just another publicity stunt by a journalist.
what has she become after that. she becomes a brand. don't forget that.
forget ad agencies and corporates. we are just pure mortals.
brands go as dated as olympics began and even cleopatra, shakespeare. they were all brands of their own age and era.
on the ethical question of pushing stuff people don't need. if not today it will be required tomorrow. some markets may be immature to accept a product or an offering. period.
and to sign off - consumer is not a moron, he is your wife.
and if advertising people are chosen by god almighty, yes definitely yes. we all are. even IT guys ;-)
cheers dudu
----------
From: red
this is a debate that will never lead to a consensus ......coz is it very tied to each indvidulals politics, economics and a host of other things... and the debate is not just about advertising alone.......however it is important to see the other side rather being cocooned ....
cleopatra, shakespeare..... they all have different identities.. looking them as a brand is only one way .....tomorrow there might be another construct like a "brand" and you could ascribe them to that too. like the liberation theologists who say that Jesus Christ is the first Marxist which is very true coz he fought for the downtrodden. it is all different points of view as they say
==========================================================================================
In this context suggest you to watch this interesting documentary when you get time .pretty long one ..but a must watch i would say
http://video.google.com/videoplay?docid=192012118972057552
< http://www.thecorporation.com/ > THE CORPORATION explores the nature and spectacular rise of the dominant institution of our time. Footage from pop culture, advertising, TV news, and corporate propaganda, illuminates the corporation's grip on our lives. Taking its legal status as a "person" to its logical conclusion, the film puts the corporation on the psychiatrist's couch to ask "What kind of person is it?" Provoking, witty, sweepingly informative, The Corporation includes forty interviews with corporate insiders and critics - including Milton Friedman, Noam Chomsky, Naomi Klein, and Michael Moore - plus true confessions, case studies and strategies for change.
Winner of 24 INTERNATIONAL AWARDS, 10 of them AUDIENCE CHOICE AWARDS including the AUDIENCE AWARD for DOCUMENTARY in WORLD CINEMA at the 2004 SUNDANCE FILM FESTIVAL.
----------
From: neo
fellas
when i took that picture and attached it on to my mail and made up my tale
i wasnt quite in my senses but now i feel i am good in BRANDING as well as IT.(INFOSYS)
bye neo
----------
From: dudu
in the context of people becoming brands, brand is what masses know. they can easily relate to it. have they ever read shakespeare - NO.
for eg let's take david beckham - the masses know he is a big brand. he is the one face of english football. his wife is victoris of spice girls. his sons name is romeo and something.
he is now even the face of american soccer. and that too for an obscene amount transfer. when did america started playing soccer? puzzles me.
masses are interested in page 3. accept it. and it is aspirational too. will they ever get to see them in real life. they might not. but they will know everything from his birth. this is not meant for soccer fans alone or beckham fans. everyone knows. and why everyone knows.
bcoz he is a brand. he is a good marketing guy. he has stupendopus spin doctors. he is a great PR guy. but he is not the greatest talented english footballer who was born on that part of the world. i wud say he is one of the least talented minus the dead ball spot kicks.
cheers dudu
----------
From: neo
hell.......
branding is done in a different way here in the middle east... no one looks for beckhan and his
' victoria 's secret ' here. no one cares abt the money and not necessarily has his "american dream".
for the cause of Arab resistance to the zionist program in palestine branding zionism as colonialism, thereby denying recognition of any Jewish national needs and entitlement to palestine as the Land of Israel has became a constitutive myth of the Arab discourse against the Jews.
The answer is that branding has become one of the world's most potent defamatory code-words. Hence those who seek fatally to stigmatize creed / products / humans grasp it with alacrity as a weapon in the struggle to end the existence of such.
precisely your question dudu " what is the connection between america and soccer?" who lost out ? soccer hungry fans in europe? soccer itself? england? imagine baseball which started when cricket was already there for decades and rugby ( american football ) when soccer existed years before........ helooooo now i hear some branding happening.....
they even have a world series baseball competition every year but the only teams playing are from the usa only.
now my conclusion
brandingl serves as a litmus test for distinguishing people - those who are hostile to every fuking thing other than their own perception and those who are conscientious critics of the policies and actions of everything other thing in this universe.
Neo
Would like to take on one line from Dudu .... Masses are interested in page 3
that sort of sums up the entire argument that marketers have for the current state of affairs or degeneration if i could say so...we follow where the market is...if for that Times of India has to show nude women on its sports page so be it ( I am not being a moralist here ) ..we are being led by the least common factor in all aspects of our existence. but classical marketing theory also can create a market when there is none. how did Coke become such a behemoth when for all of our existence we lived without something like that. Its like a . chicken or egg situation ..market or brands..... leading to a gradual dilution of all values and making us pathetically homogenous... kellogs for breakfast, colorplus for attire, gucci for leather and mcdonalds for dinner ..... think capitalism is creating the communist utopia.
a friend form uttranchal was telling me a while back that Women sing the latest Hindi tunes in the sangeet ceremony that they have at night while till a year back it used to be traditional songs.. a generation later those songs would never be there ..power of the Bollywood brand ???? killing all our indigenous music... I wouldn't be surprised if our kids consider putto and kadala as an exotic dish while they would be feed on cereals, bacon and chips..
there are examples of active intervention too where consumers are taught. how did Kerala come to have a better film culture than the rest of India except Bengal.. the film clubs, chitralekha studio and a host of filmmakers painstakingly exposed us to and idiom different than the mainstream. why even our commercial cinema is refreshingly different in plot and execution than the rest - reason why priyadarshan keep remaking them in other languages.
Masses can be taught
| |
|
|
| |
Aug 2, 2007
Mahua Memoirs
The reality of everyday life is so consuming that we fail to see anything beyond our immediate travails. The corporatized media is not interested in anything other than the daily dose of ticklish gossip that goes on as news. It is here that Mahau Memoirs a film by Vinod Raja arouses us from the apathy and opens to a struggle that we are comfortably oblivious of and in which we have high-stakes.
The documentary opens with a solemn scene of an Adivasi lighting a fire. The act of churning twigs stuffed in cut bamboo shoot and blowing it as it smokes in both hands is so magical and gracious that lighting a fire becomes a prayer. In fact it is. The stark contrast is so evident, that I was trying to recollect when I lit a matchbox in the most crass way. The film is replete with such imagery and messages that it prompted a gentleman in the audience to wonder whether we really deserve to be called civilized in comparison to the Tribals depicted in the film. It took five hundred years of industrial activity, research and colossal damage to the environment for us to realize how entwined we are with this planet and now we really do not have a clue as to how to untangle this mess.
Mahua Memoirs portrays the struggle of indigenous people against big money and the powers that be who destroy their natural habitat and way of life for centuries by granting mining leases. The region around Orissa, Chattisgarh, Andhra Pradesh and Jharkhand
is rich in bauxite, iron ore, chromite and other mineral deposits that national and international corporations are scrambling to secure mining leases and create plants to process them into aluminum, iron or other metals. At a cost benefit ratio of 1:100 odd this is big money for the global conglomerates with the Indian government getting only a miniscule portion of the proceeds. The original dwellers of the land are hustled out of their natural habitats and shoved into settlements and an existence that they are absolutely not tuned to.
The divergent approach to land use by the Tribals and the mining companies paints a picture of contrast and proves how uncivilized the civilized really can be. While the Advasi’s have a rotation based agricultural pattern where they farm the land for three years and then leave it untouched for a couple of years to rejuvenate, the company digs the land from its heart making it infecund for generations to come.
Such naked plundering and huge factories, which process this ore into metal, affects the immediate and long-term well being of India's environment and leads to mass dispossession. Jhorias, Konds, Dongria Konds and many such tribes lived at peace with the nature for centuries and have evolved a system that sustains and nurtured the terrain. The theoretical framework of anthropology was always evolutionist, promoting the idea that tribal society represents a primitive stage of development. Modern anthropology however rejects this view, and looks on tribal societies as no less sophisticated than mainstream society: more developed than us in many areas, less developed in others. The areas where tribal societies are more highly developed than us include a huge sensitivity and knowledge relating to nature - in effect, the art of living sustainably. Despite this the greed and voracity that dominate life in the modern society, inflicts the most naked and starkest form of brutality on the tribal people in the name of development.
It is very difficult to qualify such a work as just a good film. The emotions it evoked was all but good:- helplessness at being so impotent, rage at living in society where such injustice go without a whimper, absolute hatred at the mainstream media for not bringing out such stories. And that is where Mahua Memoirs succeeds as a film. It evokes extreme emotions with what eminent cinematographer Bhaskarji remarked as a subdued tone for a documentary. Never preachy, goading to think and slowly shaking from the comfort zone. Vinod’s succeeds as an artist in prodding us into a trajectory, which we fail to see or choose to not see. In this age of instants success and page 3 chatter it is rare to see a filmmaker who remains true to the medium and constantly strives to make an impact on our collective conscience. His earlier film The Bee, The Bear, And The Kuruba which I haven’t seen captures how eco-tourism projects and the forest department are stifling the native Kuraba community out of their habitats. It is high time that we start celebrating filmmakers like Vinod Raja who tread the road less traveled.
It is impossible to remain aloof from all that is happening in the heartland. The wisdom of ages, a balanced worldview that Guru Nitya calls Samyukaaya oru jeevitha veekshanam gets trampled by cars and supermarket chains - the most obvious symbols of over-development in the urban landscape The choice of models and brands, tell a story which links our material prosperity to the poverty and exploitation of the indigenous tribes. Our own lifestyle here is not separate from the resistance of tribal people against the imposed industrialization of their own land. The sooner we wake up to it, the better.
References: Anthropology Of A Genocide: Tribal Movements In Central India Against Over-Industrialisation By Felix Padel And Samarendra Das
Apr 22, 2007
Life In Sine
First cut of a short movie script. Story credited to Sachin who blogs at Meri Kahani
1
Cancer hospital board
An old hospital room….. Large windows … slightly faded white paint .. clean…
A 70’s fan with a large protruding center whirrs.
Large metal bed in the center with a similar bed table on which there is newspaper-wrapped partially opened pack of oranges.
Karthik : Late 20’s , 2 day stub
Tina: Late 20’s, Hospital councilor
Karthik is leaning on the wall with his face towards the wall and hands folded above ….
Walks towards the bed ..crashes with a thud …spreads out his hand and leg in an X position and casts a forlorn look to the fan
Cuts to the fan and close-up of Karthik’s face few times
Tina’s energetic footsteps
Tina knocks and enters the room . Karthik has a pillow over his eyes
TINA
Good morning Karthik .. did you sleep well . I hope you had the medicines given by Annie sister yesterday night
No Response
TINA
Are you awake Karthik
KARTHIK
Growls
TINA
ohfoooo. Karthik you are in one of those bad trips gain…
Tina is active during the conversation
KARTHIK
Tell me Councilor how long do I have
TINA
Karthik don’t be such a kid ….. Being a medical professional you should know that cancer is not an incurable disease these days. There is so much of technology available. I am sure Dr. Gowda would have explained you all the possibilities
KARTHIK
Why me of all the people..I am not even thirty…
TINA
It is important though to not to loose your heart.. Show me a good face and I will get you out of this ….
TINA
Would you have these medicines
Tina slowly helps him sit on the bed , gives the pills and a glass of water….
Tina caringly rubs Karthik’s face and exits
2
Evening. Tina knocks and enters in denims and sweatshirt with a white collar
TINA
Hi Karthik Just thought I will say bye. How was the biriyani ???
She goes and opens a round steel lunch box
Makes out that it hasn’t been touched
TINA
Not even a spoon. Could have given it to somebody else if you were not having. You told you liked malabari biriyani. Had to wake-up at 4 today to cook it.
KARTHIK
Why are you doing this Councilor ?
TINA
I got a name
KARTHIK
I even don’t have a life ahead of me
TINA
Not everything has to be done with express intentions
KARTHIK
I didn’t mean it. I am sorry. My state doesn’t leave me with many options.
TINA
That is because you choose not to.
KARTHIK
You know this is not the real me
TINA
I too was wondering whatever happened to that glamorous, firebrand communist at college. Seriously you were the hero of all of us first years and had quite a fan following in the ladies hostel.
KARTHIK
Those were the best years
TINA
Hey look… I got to go. Take care and have your medicines on-time. I can ask Annie to give a sedative if you are not getting sleep
KARTHIK
Looks at Tina’s eyes and says in a soft moist voice
I just can’t thank you enough
TINA
Don’t bother. I will see you tomorrow
Tina Exits
3
Bright day
Karthik is by the window ardently looking outside …..
Cuts to a close-up of a small plant on the window ledge. Morning dew on the leaves, a little bud or flower, swaying against the wind.
Karthik paces up and down the room . humming a tune from a recent movie ( allah ke bande) … . exited .
Tina knocks and walks towards Karthik
KARTHIK
Good Morning Tina.
TINA
Good Morning. What in the world has happened. Was that you humming the tune
KARTHIK
Why not …….. I got a beauty as a neighbor
TINA
Surprised. I thought you room was cut away from the other rooms
KARTHIK
Senorita won't you come to the window and greet my dear friend
Tina walks to the window, stand close to Karthik and looks out through the window
TINA
Smiles. She looks kind of cute. Not a classical beauty but definitely has some mystery
Karthik comes and sits on the hospital bed
TINA
So there goes the inspiration. You already had the medicines. Looks like your muse is working wonders on you. Making you disciplined so quick ??
Karthik smiles and looks( sparks) at Tina
4
Another Day
KARTHIK
What about my babe’s food
TINA
What ??
KARTHIK
Tina don’t tell me you forgot it. I had asked you get organic manure from the supermarket near your home
TINA
Sorry Karthik. Totally slipped me. But anyways as a saying goes “ what is born in fire doesn’t wither in the heat” your muse is too wild to shrink so easily
Both laugh
Tina and Karthik comes to the window and looks at the plant.
Cuts to plant
KARTHIK
No Tina seriously please get it tomorrow
TINA
hmm didn’t know you could be so caring
KARTHIK
If I choose to
TINA
And how does my lord make such choices
Both laugh
5
Close-up shot of the plant mutilated and broken down. . The frame moves in a sort of drunken, surreal way
Cuts to Karthik’s face from outside. The window railings form the foreground.
Karthik leans against the window and look lost. Signs of unhappiness and being lost. Droopy eyes are a little moist
Tina walks waving a hospital file.
Karthik shows an eye movement to look through the window
Tina looks out and shows an expression of surprise
TINA
But you have to see this ..
She waves the file in her hand
TINA
The second biopsy report. Your tumor is localized and can be easily cured with radiation or worst case a surgery
Karthik shows an expression of disbelief
KARTHIK
Are you serious ??
KARTHIK
Do things change with such rapidity always
Turns slowly and looks at the plant
The plant
Karthik’s face . Tears trickle down
Karthik walks to Tina and holds her hand. Eyes locked.
Apr 12, 2007
Known Stranger
a tilana of words
in this faceless ether
creating a space
across the globe
things ring
of seth
of music
of a lost world
known stranger
don't stop the flow
Mar 14, 2007
Outsourced - Must Watch
Have heard so much about how India becomes an experience for Westerners. The movie Outsourced screened at Mumbai film festival captures it all without taking sides. Directed by John Jeffcoat, it is a refreshing change from the ABCD movies and captures India from an outside eye. Have a feeling that this could be a hit with outsourcing being a raging debate. Will try to do a detailed review later. The film hits screens by April or May as per the Director. Don’t miss this movie. And oh Ayesha Dharker looks cute.Amazing talent too
Website
Movie Blog
Movie Trailer
Movie Clip "Rubber"
IMDB Reviews
Feb 27, 2007
The New Untouchables
I did not wash dishes and toil my whole life for this" Lisie shouted furiously "I can’t let thirty years of my struggle go like that. How could you forget all our dreams and bring a buyer for our home"
Biju stood there dumb as ever. He had gulped two pegs of "tusker rum" from the local wine shop, on the way back for some courage. Not that those two would suddenly induce that in him. Even with a bottle of rum inside during his heydays he could never face Lisie. There was always this feeling that he failed her.
"As if he is doing a favor" retorted Lisie as she walked into the kitchen. "With Varkey's fifty cents with him everybody knows that Madhav is eyeing our three cents that covers his plot to build the shopping complex for that aatakari menothi.” Somehow she couldn't accept Madhav Menon's acclaimed dancer wife who reminded her of the bitchy Shobha in shreejanmam her dose of daily soap.
Lisie heated the fish curry and took some pappad to fry. "Did you have something from the brandy shop " she shouted.
"I will have some kanji" he replied while changing into a kalliMundu.
Lisie cooked kanji and left in the dining room of their modest dwelling with the curry. To think that the place for which she had strived all her life would be someone else's - how fatuously erroneous were her father’s maxims. “Good things always comes to good people” he always used to say. Andrew her father was a man to reckon with in the fishing hamlet Chellanam where she grew up. His knowledge of the sea and passion for work were unparalleled. Andrew had an uncanny sense of the weather and sea and it was rare that his fishing group came with an empty boat. Shranks – the middlemen and boat owners would wrestle for Andrew’s skills. Not for him the drunken singing and brawls at the local toddy shop or gambling under coconut palms that had destroyed many fishermen families. His life revolved around Lisie, her mother and the local drama troupe. But when Lisie was fifteen her dad’s life ended in a freak accident in the sea. There were quite a few rumors about the actual cause of the accident but her father’s bosom pal and partner married her mom six months later. It was difficult for her to stay in the island after that and she moved to the city.
“It is not an easy choice, nevertheless you have to do something” ThankamaChechi replied on hearing Lisie’s woes. A decision had to be made on the marriage proposal for Beatrice, Lisie’s daughter. The prospective bridegroom had a decent job in a private company and Beatrice liked him. His parents had subtly suggested that their second daughter is of marriageable age and required money.
“You cant dilly-dally on Beatrice’s marriage now. She is past her prime and it will be difficult to get such a good alliance for her.” something Lisie never wanted to acknowledge, though she knew it was late. All of Beatrice’s friends were wedded with kids. She thought things would fall into place, though the dynamics of the matrimony with its nerve-racking requirements would put the Pollachi cattle market to shame.
“Chechi but you know how I had wanted this house and how much I slogged for it. Did I go to gulf, accrue rupee by rupee and construct the home to finally sell ? I too finally wanted to die in a place of my own. I deserve atleast that amidst all dicey games that life has played on me. Why is God so bent on shredding things into pieces every time I put it back”. she broke down.
When she came to city she did not have anything except a strong will to survive. She found employment as a cook in a government officer’s house. Her excellent culinary skills with a unique blend of coastal flavors made her popular and soon she was sought after by working families in the area. She would take one or two-hour assignments at each of the homes while they went to offices and rented a small home. It was a beautiful period. There were colors that exploded in multiple dimensions and alluring sounds, but Lisie had her feet on the ground. Amidst the swirls and the storm she created a borough of her own. A cute, exquisite one, where she wanted to invite someone special.
That is when Biju came into her life. He was an electrician and they met at a place where Lisie worked. He came from a town down south and earned pretty well as construction activity was booming in the city. It was that tinge of rebelliousness and defiance to order that fascinated her, besides he was the first man who looked into her eyes and asked her hand. The rest were all lecherous, prying eyes that wandered all over except her face. After a whirlwind romance Lisie married Biju.
“If only he Biju had taken a little of my responsibility, we wouldn’t have come to this”
Lisie was referring to her husbands compulsive alcoholism. After the unruffled days of their matrimony when Beatrice was born, the villain showed up as hootch. The monotony that sets in after a turbulent romance coupled with a ridiculous mainstream stereotype that men ought to drink and beat up their wives to retain their machismo made an addict of him though he never physically harmed Lisie. By the time Beatrice was five he had wrecked their future. He quit work and would chase out anybody who offered anything remotely of a job, forcibly empty Lisie of all her money without indignity and borrow from all and sundry. It came to a point where strangers would walk into their home in the middle of the night carrying Biju, pickled in Rum and demand money and at times even more.
“With all that money he guzzled away we could have bought a mansion at Panampallinagar” – a swanky neighborhood in the city
“What is the point of cribbing about the past Lisie. Let bygones be bygones” Thankamachcehi replied.
Chechi was her alter ego whom she would embrace at times of crisis. Their bonds went back to a time when Lisie came to the city and was more equal than the normal employee-employer relationship. She helped her get a Visa for the job as a maid in Oman and would be local guardian to Beatrice while Lisie was away.
While at the Middle East Lisie’s life slowly started to get back on track. Mortal fear after being diagnosed with cirrhosis of the liver, along with divine intervention at Potta prayer center finally cornered Biju. He reduced to a peg or two as if he were doing a favor. Lisie being away also didn’t help much in bullying her for money. She worked for five years and saved enough money to buy a home at a city suburb. It was not easy, but her indomitable spirit, helped to carry through the pain inside and heat outside.
“With one-third of the money from Madhav why don’t you buy five cents at Kizhakekara? That way you can easily marry off Beatrice and probably have a little bank balance after building a house”
Stagnant earnings and frequent requirements in the form of children’s education, marriage, hospital expenses, had made the poor and lower middleclass cash-in their meager land holdings in the real-estate boom. They were moving to places like Kizhakekara about hundred kilometers from the city were prices were low. It was almost a reverse of the urban migration phenomenon that economists were trying to fight elsewhere.
“ Would we need special passes to enter the city after few years” Lisie was sarcastic
“Like the lowborn’s shunted into small ghettos outside the town not so long ago, are we the new untouchables?
Thankama looked the other way. She couldn’t think of a better way.